Philadelphia Film Festival 2008 - Day 10

April 13th, 2008
Philadelphia Film Festival 2008
The Pope's ToiletToday started out on the right foot with a film called The Pope’s Toilet. It’s about the poor Uruguayan town of Melo, which is expecting a visit from the Pope. Usually, the citizens don’t have many chances to make money, so the lead character provides for his family the same way many other men do. He smuggles goods in from Brazil by bicycle.

The Pope’s impending arrival, and the influx of people that are expected, give high hopes to the town. Many of them spend their life savings to buy equipment and food so they can open stands to sell things to the crowd. This could finally be their way out of poverty! The main character has another idea. He spends the film trying to build a bathroom in his front yard so he can rent it to the crowd. Toilets are hard to come by in that area, so its not an easy task to get one, and using it would be considered a luxury by most.

It’s a touching and sad film that has great performances by the lead family, and doesn’t turn into melodrama and also doesn’t have a sappy ending. It’s written and directed with humor and care. Very enjoyable.

After that, I saw Vexille, an anime that had great animation but a horrible story. It’s told from the point of view of an American special forces unit called S.W.O.R.D. who, 50 years from now, go to Japan to liberate them from an evil corporate cloning organization. It is well produced, but the story and script are horrible. There is one excellent scenes towards the middle, where people are trying to get into the enemy headquarters, but otherwise it’s not worthwhile.

Third came a surprisingly good film called Dangerous Parking. A British film (written, directed and starring Peter Howitt) about a famous director coping with alcohol and drug-addiction. It’s very funny, and told in a quick and smart style using some cool editing, special effects, picture in picture, animation, etc. At heart, its a simple no-frills story of a fall from grace, redemption, and the consequences of one’s actions. Nothing special there, but it is extremely entertaining, and pulls all the right strings as it goes.

Another good film came next. Nothing to Lose, from Holland, is the story of a man convicted of killing his father and sister and has been in jail for 6 years. He escapes to find his mother, who can verify he didn’t kill his sister. He did kill his father but only because the man was trying to take advantage of his sister.

This film is very simply told, but the script and performances really carry it through quickly to a great conclusion. I was impressed by the directors ability to let the story tell itself without over-dramatizing the drama or over-stlyzing the action. Apparently this was based on a true story, but its unique and interesting enough that you wouldn’t have thought that unless told. It’s a great film.

Last but not least for today was Film Noir. Cheaply animated in black and white with accents of color, this film still had me enthralled due to its great story. It’s definitely a Film Noir. The story involves a man who wakes up next to a dead cop underneath the big Hollywood sign in California. He doesn’t remember who is is or how he got there. He must navigate a tricky set of clues to figure out who he is and what is going on. A good script adequately executed equals a very entertaining film.

40 Films down!

Philadelphia Film Festival 2008 - Day 9

April 12th, 2008
Philadelpia Film Festival 2008
This entry is a day late, but no worries. I’m still mostly coherent and the festival is almost over.

The first film I saw on day 9 was called The Sea Inside. It’s a film from India about a writer who as an affair with the married women who lives next door. This extremely chauvinistic film has the woman becoming insane because she fell in love with a man that didn’t feel the same way. Not recommended.Forbidden Kingdom

Next came Chop Shop, an American film detailing the life of a young boy in inner-city Newark. Think Shoe-Shine, but with a grease-truck instead of a white horse. It doesn’t really bring anything new, but it is well made. The performances are good, and its directly very naturally.

The film after that was sort of the same, except from Iran. Buddha Collapsed Out Of Shame is about a young girl growing up in a poor town, who only wishes to go to school. The first ten minutes are great, but the movie quickly turns manipulative by endlessly pulling your heartstrings in obvious and condescending ways. If it wasn’t for the impossible cute little girl they found to play the lead, it was a total wash.

Fourth on the list was a big studio film. They actually wouldn’t let the audience members take any electronic devices into the screening, including cellphones! The film, from Weinstein Studios, was The Forbidden Kingdom. An American film that has the first on screen pairing of Jackie Chan and Jet Li!

From the previews, the film looked very childish, and I thought I would hate it. But I was amazed by how much I enjoyed it. The story involves a young man who is scouring a Chinese pawn shop for bootleg DVD’s of martial arts films. He’s obsessed with them. Little does he know that he is going to be sucked into their world and go on a quest to save it.

Time CrimesIf you are a fan of the martial arts films in question (shaw brothers, Drunken Master, Once Upon A Time In China, Bride With White Hair, etc), then you will appreciate this film. It pays homage to all the classics, and breathes new life into the world of the films. It’s cheesy, but quite funny. It also has some good Yuen Wo Ping fight scenes, including a great one between Jet Li and Jackie Chan.

If you were one of those people who were obsessed with old martial arts films (like me and many others), then you will appreciate and love this film for bringing back the magic you saw in them.

The last film of the night was also great. Timecrimes is a Spanish time-travel thriller. It’s smart, face-paced and slick. No fancy special effects or sets or anything. Just four characters and a excellent premise carry this film to a very satisfying conclusion.

It’s Nacho Vigalondo’s first film, and he shows a lot of promise not only in the script, but also in his tight and clean directing style. It’s a raw genre-busting effort that is going to be a cult hit. Check it out if you can!

Now I must sleeeeeep.

Philadelphia Film Festival 2008 - Day 8

April 10th, 2008
Philadelphia Film Festival 2008
I’m not hallucinating yet… I don’t think. 30 films down, only 20 to go!

Bad HabitsToday started off on the right foot with a film from Mexico called Bad Habits. The film revolves around a group of people who have various eating disorders. A husband is not attracted to his wife anymore because she is becoming increasingly skinny due to anorexia. The wife is busy dealing with their overweight young daughter, and the husband finds solace in the arms of a full-figured mistress. Meanwhile, a nun begins a fasting routine in order for God to stop the constant rain that is causing deadly floods.

The film is melodic and really builds towards an ending the concludes some stories and continues others. The performances are all around excellent, especially the mother, played by Elena de Haro, who really lives up to the anorexic role. The film is very sad, but it shows the reasons that people have these bad habits and how they can take control of one’s life. Highly recommended.

The next two films were big disappointments. The Mugger, from Argentina is a slow senseless film that follows an older man as he robs two schools and canoodles with an asthmatic teenager. Milk in the Land, Ballad of an American Drink is an experimental documentary that tells the history of milk. The description leads me to beleive its anti-milk, which I am always interested in, but it really didn’t take a stand either way. It just sort of had a random spattering of facts that lead nowhere and gave no new information.

The last film of the night was a classic from 1955. Violent Saturday is a technicolor cinemascope tale of a group of bank robbers who arrive in a small midwestern town in order to do a heist. Scenes of them planning the heist are interspersed with stories of the locals, and finally all tales converge for the heist-gone wrong ending. This was part of the film noir retrospective, and although it wasn’t film noir it was still a great film (with a great print!).

How can you go wrong when you have Ernest Borgnine playing an Amish guy? I can only hope some of the films I watch tomorrow have Ernest Borgnine playing an Amish guy. I’ll let you know tomorrow night!

Philadelphia Film Festival 2008 - Day 7

April 9th, 2008
Philadelphia Film Festival

I guess today would be considered my “Korean Horror” day. I saw 2 films in the afternoon and then closed the day by watching back-to-back Korean horror films.

The Art of TravelThe first film of the day was The Art of Travel. I like this movie the more I think about it. It opens with a really well-done and hilarious wedding scene, and then follows the groom on his trek to South America to get away from it all. This includes joining up with a group of adventurers who set out to drive a jeep 100 miles through dangerous jungle. On this trip, he finds love, discovers himself, etc., etc. It’s nothing new, but the style is very sweet and smart and the ending is cute.

The second film was called That Day, and I think its the first time in my life where I did not know anything about the film before going in. I didn’t even know what language or genre it was in. It was an interesting feeling. The film turned out to be a French film about a husband and wife, an affair, a hit-and-run, the mistress, and their children. The first half was great, with the same morning being played through three separate times from three separate viewpoints. It fell apart after that though when it started to lack focus. It was still well-made and had good performances.

Then came the Korean horror films. First up was Epitaph, a really poor cookie cutter supernatural hospital story. The script didn’t make any sense, and had so many “twists” that I just stopped caring. The usual tricks were used to scare you as well. LOUD NOISES!

For me, music that builds up to a loud noise and something popping out of somewhere is not scary. At most it makes me jump because it was loud and shocking. I am starting to really hate films that resort to this technique to scare people. I have heard it referred to as the “spring-loaded cat” technique. Avoid Epitaph because of the cats, and because of the poor script.

The second horror film was much better. Black House. It was cliche, but it had a good story. There were twists, but everything that happened was in the realm of possibility. There was a decent amount of gore, and the film built up to a nice climax and tied everything together well. It did resort to the spring-loaded cat once and awhile, as well as other horror-film cliche’s, but it had enough going for it that I enjoyed it.

Today is also the day that my festival “All-Access” pass paid for itself. Technically any film I see at the festival for now on will be free!