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Uncharted Cinema #5: Four of the Apocalypse

Nope! This is poorly made on nearly every level. The film opens on Stubby Preston, a professional gambler played by Fabio Testi. He arrives at a small town to try to make some money, but instead was intercepted by the sheriff and thrown in jail. Whilst there, he meets the other three main characters: young pregnant prostitute Bunny (Lynne Frederick), drunk Clem (Michael J. Pollard), and a black undertaker named Bud (Harry Baird).

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Uncharted Cinema #3: The Great Magician

Well, it turns out The Great Magician is very similar to the Detective Dee series. If you liked those, you would like this. And the inverse, in my case, is also true. I found it strange how similar they were because, as far as I could tell, the films don’t share any creative talent. Maybe movies like this are just the style of popular cinema produced in the Hollywood of China and Hong Kong? (Often referred to as Chinawood. No, I’m not making this stuff up, folks!)

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Dope

Dope is a packed film. So much happens that the film seems to switch scripts or even genres every few minutes. But it works because of the unique energy pulsing through it from beginning to end. In it’s music, it’s characters, and its performances, Dope separates itself from the rest of the pack and delivers something fresh.

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Postman Blues

The movie starts with a montage that shows that the director knows what he is doing. The monotony of the titular postman sorting mail at the post office is intercut with that same postman out on delivery, dealing with the daily annoyances while riding through the city on his all-too-small bike. It’s a charged and quirky little scene that increases intensity until the splash-screen of the title.