Doris Wishman’s films make no attempt to be any more than what they are: cheap, sleazy, entertainment. All involved know what they are making, and because of that they get a freedom of style and story and keep things moving quickly.
You already saw my Top and Bottom films of the 2010 on my last post. But now, in no particular order, here are the Filmie awards for 2010! The Award for “Best Dance Scene” goes[…]
Ballet sucks. The end.
2010 is over! There are some big films that I missed, but at some point I just have to stop chasing them down and lock-in my best of the year. I don’t want my life[…]